Echolocation is a technique used by animals to locate objects through sound reflections. I am using it as a metaphor to search my own position among countless mediations. 

 Recently, I have been longing for the feeling of longing itself. I trace the reason to a world saturated by excessive digital information and invisible connection. The obligation to remember has faded, while past and future are continuously repackaged as content and products that occupy the present. Absorbing endless streams of information, I encounter dances born from infrastructures, technologies, and capital. I become a body shaped by norms, then repeatedly attempt to recalibrate myself without any fixed standard. 

 My research moves across multiple layers: science and superstition, materiality and immateriality, technology and the body, capital and dance. I imagine my frequency colliding with the world and returning as echoes. I sense gaps and intervals, listen to the forces moving within the echoes, making subtle adjustments to my position. As waves alter the density of the ocean and wind shifts the density of air, I practice echolocation not as progress or degeneration, neither past nor future, but as a living body navigating the present.